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THOUGHT FACTORY: DEPICTION OF CHILD ABUSE IN CINEMA

Courageous storytellers daringly illuminate the darkness of child abuse, igniting conversations long overdue. Through their lens, they challeng...

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SOHAILA KAPUR: The Person & Her Legacy!

Sohaila Kapur belongs to a very rooted and empowered artistic and cultural legacy. She has, in her individual way, made her own space, writes <...

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The loneliness of an Indian (virgin) Bride

What are Indian wedding dreams made of? – a question Janaky Sreedharan answers as she views it through the lens of the r...

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Oh Rajasthan!

A photo-essay by Vatsal  Shah of the former royal state of Rajasthan, where tourists and photographers flocked during the...

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Question of Homesickness

Even as the on-going COVID-19 pandemic affects the world, Anil Dixit writes on the bond among Indians employed in Dubai, Abu D...

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Wedding Woes

There can be no wedding in our country, without high stress and drama, some of which playwright-director Veena Bakshi has captured with humour ...

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A CUT above the rest…

My friendship with her is deep.

She's a feminist and the most expressive among most whom I know.

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Decoding Girl Talk

The sangeet ritual at an Indian wedding used to be a time for women to get together and sing traditional songs, away from th...

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War of Words

Though many of his plays have been absurd or surreal, Makrand Deshpande wanted to experiment with an all-out farce, and what ...

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Carving a niche: Indian films nominated for Toronto International Film Festival

Grabbing a spot each in the world premiere for Toronto International Festival are films Omerta, Mukkabaaz and The Hungry. Omerta is directed by director Hansal Mehta, Mukka...

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